On the evening of May 16, the drama "lurking" jointly produced by Beijing Poly performance Co., Ltd. and Jiahuibimo culture and Art Creation Co., Ltd. opened in Beijing Poly Theater. The performance was close to two hours on the day of the premiere. The plots were closely linked. There was no common deliberate and excessive force, but everything was just right. The character line and the emotional line went hand in hand. Not only did it have a tense and exciting plot, but it was also interspersed with a lot of jokes. The burden made this spy war drama Zhang Chi somewhat novel and clever, and also won the applause and affirmation of the audience.

A new interpretation of the original work A stunning interpretation of the comedy style

The drama "Latent" is adapted from Long Yi's novel of the same name. It is written by Lei Ting and Jin Ge, directed by Jiang Tao and Huang Kai. Hong Jiantao, Hu Ke, Bao Wenjing, Fan Yulin, Zhang Nan, Zhang Jianxin, Wang Feng, Li Xinxin, Ma Xiaochuan, Sun Shenghao, Mei Baolai and Li Ao are all playing on the same stage.

One of the characteristics of this drama "Latent" lies in the role reversal. It is launched from a female perspective, pushing Cuiping to the front line to face the many traps set by the enemy. Yu Zecheng helps behind the scenes, truly showing the female revolutionary workers' inner state and unwavering struggle spirit in troubled times. At the same time, taking the love between Cuiping and Yu Zecheng as the starting point, the collision and friction between the two and the determination to fulfill their mission affect the hearts of every audience. Although the drama "Latent" is a new interpretation of the original work and a new structure of the story, it all embodies the same patriotic passion and family and country feelings.

The second characteristic "comedy element" is the icing on the cake. Compared with the tense plot of "Latent" in the reader's consciousness in the past, the drama "Latent" has more comedy flavor, and the overall plot realizes conflict and balance in the tension of harmony. Jiang Tao said: "Although the theme of the story is not so easy, from the perspective of the historical process, this is actually a comedy ending. It is very suitable to use a comedy approach to tell the story in a comedy style. It is not that it does not respect history, but hopes that everyone will remember it. history." With the deepening of the plot, the carefully designed burden of laughing points is continuously thrown out, and the performance of the actors is matched to maximize the laughing fruit. For example, the frequent appearance of the prop "paste cake" in the play gradually draws closer the relationship between Yu Zecheng and Cuiping in the interesting plot, which is very clever. The drama "lurking" leaned from a thrilling spy war drama to a "real" comedy, and also made the audience feel the greatness of revolutionary workers in the laughter of the front and back, and won numerous praises.

Hong Jiantao Deduces New Edition of Yu Zecheng's Two "Cui Ping" Collision Different Sparks

The biggest difference between Hong Jiantao's version of Yu Zecheng and the previous one is that he has more of a sense of joy. The "body advantage" inherent in the sky makes him subvert Yu Zecheng's previous meticulous sense when performing, and there is enough humor in the tense situation that is on the verge of breaking out. The two coexisting personalities also shine brilliantly on the stage, with a set of joys and sorrows, and a good taste. And Hu can and Bao Wenjing's biphasic Cuiping also collided with different sparks. Hu's interpretation of Cui Ping's naturally vigorous, bold and fearless character is clearly seen on the stage, but there is a sense of contradiction between his eyebrows and eyes in the face of feelings, and the emotional tension is also intriguing. This kind of conflict and tension is very interesting, making the audience seem not to think it was intentional. However, Bao Wenjing's version is ignorant and fearless. The performance on the stage subverts the previous introverted image. It is also very distinctive in the face of the thousands of changes in feelings. Although it is crisp and straightforward in its bones, it has not lost the implication of love like a woman. It is not delicate and pretentious, and it has a full sense of substitution with a smile.

It is worth mentioning that the supporting cast of the play is full of highlights. Captain Ma played by Fan Yulin reappears domineering across the stage. The stationmaster and stationmaster's wife played by Zhang Nan and Zhang Jianxin are vividly portrayed. Zixia and Bai Weiwei played by Sun Shenghao and Mei Baolai, two young actors, show the charm of women.

"Love in the lurking, spy war in love", the plot of the drama "lurking" is ups and downs, although the flavor of "spy" is full of laughter. The collision of ice and fire between the lurkers and the battle of wits and courage with the anti-scouts are interpreted incisively and vividly under the whole metal hollowed-out scene. The sound effect of the age and the deeply rooted monologue make the performance more exciting. It not only shows the image of a revolutionary with distinct personality and three-dimensional fullness, but also brings the audience back to the war without gunsmoke. It not only immerses the audience in the memory of past life, but also has different experiences and gains because of the new adaptation.

It is reported that the drama "lurking" will continue to perform in Beijing Poly Theater until May 19. Among them, Hu ke played on may 16 and 17 and Bao wenjing played on may 18 and 19.